Pandya Photography consists of two primary shooters, myself (Abhi) and Ronak. 

Ok, here goes. I am a late twenty something, born and raised in good ol’ New Jersey. I was introduced to photography at a very early age. My father and uncle were both inspiring enthusiasts and I cannot remember a time when they did not have a camera hanging from their necks. As you can imagine, from being a newborn I always had a camera aimed at me! As I grew older, and was capable of holding a camera…my father and uncle were both very eager to start teaching me all that they know about photography. It started out with just showing me where the shutter button was, but then as time went on we got into composition, shutter speed, aperture, film speed (ISO) and fun multiple exposure tricks. 

As I got older I began to drift away from photography and got more much involved with design. Back in 1996 I got my hands on Adobe Photoshop in school, version 3.0. As primitive as it may look now, version 3.0 was actually quite amazing. I began using the software daily, and when I got my first computer, I managed to obtain a copy of Photoshop 3.0 though the Mom and Pop shop the computer was purchased from. I was hooked. All day, everyday, Photoshop. It wasn’t until I got a scanner that I started getting back into photography. Now I can take a photo, develop them, and retouch them after scanning the photos into the computer. Being able to do this in school was one thing, but being able to do it at home, at anytime of day or night was another.With my creative outlet broadening, I begin designing layouts for print (magazine, billboard, etc) and started getting a decent reputation in the design and commercial print industry. 

Along side my photography and design skill set, I began learning about printing. Different types of printing, different machines, color spaces and techniques. This involvement in printing made me change the way I look at photography and designing! It was almost a rebirth of my passion for art. The possibilities and control over the final output were amazing. Now, lets add a digital camera to this and see what happens. Once I got my hands on a digital camera, it was a whole new ball game. 

Throughout college I managed to support myself with my photography/design/printing hobbies. Once I finished college I dabbled in fashion and glamour photography, and although I still enjoy shooting these genres, I am really focused on South Asian Weddings. It is a segment in the industry that I feel is very different. You need to know what is going on, and then you need to have a creative eye and capture what is going on in unique light. I found that in the Northeast there are just a few photographers that cater to this market that are actually amazing. At the same time there are hundreds of Uncle Bob type characters that work in South Asian video rental stores that flood the market giving Indian photographers a bad name. This is a challenging market and I want in! I am somewhere in the middle of that mess. In my eyes, I am not a profesional photographer by any means. We provide a professional level of service and provide photos with our creative eyes and style, but by no means do we think we are professional photographers. I love taking my experience in glamour and fashion photography, blending it with my culture to produce modern style images today’s clients fall in love with. 

Abhi’s weapon of choice: Nikon D700 paired with 70-200mm f/2.8 VRII, 60mm f/2.8 Micro 

I cannot do this all by myself. I am lucky to have a terrific partner, in all senses of the word. My better half is my partner in crime. Ronak sees things that I simply cannot. She has the capability to pull out details and create fascinating images from the otherwise, most plain and boring scenes. She is definitely more familiar with the South Asian marriage procedures than I am, and because of her greater understanding of the culture and traditions she is well prepared to capture shots just at the right moment. I have been teaching her about photography for a few years now, but it seems as though she has come out with a style of her own. During the album design process, I handle aesthetics and technical layout, while she selects the photos that provoke the most emotion and manages to put a storyline together. Ronak also handles all the formal photos as well as group shots. 

Ronak’s weapon of choice: Nikon D700 paired with 24-70mm f/2.8, 12-24mm f/4, 50mm f/1.8